Sarah (Sophie Desmarais) is a gifted young runner whose life changes when she’s offered a spot at McGill – far from her suburban life near Quebec City. But when her fearful mother refuses to give her financial support, Sarah marries her best friend Antoine (Jean-Sébastien Courchesne) in an attempt to qualify for the best scholarships, and they set out for Montreal on their own.

Antoine has feelings for Sarah, but it soon becomes clear that the only thing she truly loves is running. This assured feature-length debut from Robichaud is an unusual coming of age story and a heartfelt and subtle drama about an introverted protagonist’s late-blossoming sexuality.

After its premiere in the Un Certain Regard section of the Cannes Film Festival, the film won the Women in Film & Television Artistic Merit Award at the Vancouver International Film Festival.

“What makes Sarah Prefers to Run so touching is that we're not quite sure what the resolution will be for Sarah. She isn't, either. But she just keeps running.” – Tim Grierson, Paste Magazine

On her 39th birthday, Gaby (Chelsea Peretti) finds that she's hit a crossroad in her life. Fresh off of yet another failed relationship, everyone in her life is asking when she's going to settle down. It doesn't help that as a wedding caterer, she's constantly reminded of this pressure. With the dating scene looking bleaker than ever, Gabye begins to wonder whether she'd be happier if she never finds 'the one'.

Andrea Dorfman’s clever twist on the romantic comedy genre features a brilliant performance from Chelsea Peretti (Brooklyn Nine Nine), who brings a touching depth of character along with her trademark acerbic wit.

After the success of the TV series Due South, Paul Gross went on to create this mainstream Canadian comedy hit, with romance, music (The Tragically Hip appear as a rival team) and, of course, curling.

When Chris Cutter (Gross) returns to his small hometown to bury his former curling coach, he is inspired to reunite the old team and try to win the Golden Broom. Nothing has been the same in town since Chris’s departure 10 years earlier — Chris’s old teammates and his own father (Nielsen) are disappointed in life, and the coach’s daughters Amy (Parker) and Julie (Nolden) have become, respectively, a drunk and an astronaut. Despite the odds, the rag-tag group of misfits unites to compete in the championship, with heartwarming and hilarious results.

This heartbreaking tale of love and loss follows Arjie (Nand as a child, Ingram as an adult), a Tamil child in Sri Lanka, who is referred to as a “funny boy” by his family, because he doesn’t behave like the other boys. He draws inspiration from his free-spirited Canadian cousin to explore his identity, and goes on to pursue his crushes on the boys in his class. When he reaches adulthood, his life, family, and his first real love are all threatened as the Sri Lankan Civil War breaks out and brings about life-changing tragedies and upheavals.

Based on the celebrated novel by Shyam Selvadurai, Funny Boy was nominated for nine Canadian Screen Awards, winning for directing, screenplay and score.

“An attractive journey, gilded in summery light throughout by Douglas Koch’s camera.” – Guy Lodge, Variety

Twenty-one-year-old Ricardo (Boucher) is a screenwriting student in Montreal, where he dreams about striking up a romance with his classmate Marie-Ève (Gosselin). When she announces that she’ll be going on an exchange trip to Italy, Ricardo can only see one option for himself: to follow her — and his heart — on the trip, and perhaps reconnect with his own Italian roots along the way. Of course, nothing on the trip goes as he expects, and connecting with Marie-Ève seems further away than before.

The charming and funny story is based on director Ricardo Trogi’s own coming-of-age experiences, and was a box office smash and winner of the Golden Screen Award (for biggest Canadian box office gross of the year). The film was nominated for 16 Prix Iris awards and won five, including those for best film and best director.

Blending live-action and animation, this short tells the tale of an imaginative teen as he debates the best way to say hello to a cute girl at the library.

Set in Toronto and its wealthier suburbs, Bollywood/Hollywood joyfully subverts the romantic conventions of both cultures. Rahul (Khanna), a rich South Asian-Canadian dot-com entrepreneur, is pressured by his mother (Chatterjee) and grandmother to find a nice Hindu girl to accompany him to his sister’s (Malik’s) elaborate wedding ceremony.

As a joking way of accommodating them, he hires Sue (Ray), a beautiful escort girl, to pretend to be his fiancée. Naturally, the two fall in love, and just as naturally, complications ensue. Incorporating the wild stylistic excesses of Bollywood — the melodrama, the choreography and the music — Mehta allows Indian culture and societal attitudes to play out in Toronto.

“Much hilarity, joyful song and dance numbers and a surprisingly touching love story.” — Kevin Laforest, Montreal Film Journal

Based on the last recording by one of Newfoundland's foremost traditional music performers, Emile Benoit's tender delivery of the 18th century French song is the heart of Vive la rose. The story of unrequited love and tentative obsession throughout the beloved's life, sickness and early death is the narrative focus, accompanied by an emotional interpretation of Benoit's strong Newfoundland French accent and wavering old man's voice. Vive la rose is animation on location, rooting the film in a location that evokes the past, and combines ink drawings with a variety of romantic and associative elements and objects.

Set during the height of WWI, Passchendaele tells the moving story of an important event in Canadian history through the eyes of Sergeant Michael Dunne (Gross), a soldier who is wounded in France and returns to Calgary emotionally and physically scarred.

While recovering, Dunne meets Sarah (Dhavernas) and becomes determined to win her heart. When Sarah’s asthmatic younger brother David (Dinicol) enlists to fight in the war, Michael returns to the battlefield in order to protect him. The two men are sent to fight against impossible odds in the battle of Passchendaele.

The film won six Genies, including Best Picture and Best Actor, for Paul Gross.

Sabah (Khanjian) is a sheltered 40-year-old woman who lives with her controlling Muslim family in Toronto. While they are a source of love and support, her widowed mother and conservative brother, Majid (Seymour), are also pretty overbearing.

Sabah is frustrated at home with no means of escape. That is, until she meets non-Muslim Stephen (Doyle), who awakens her long-lost desire for independence and romance. Soon, Sabah is having a whirlwind cross-cultural affair that she must hide from her family.

Ruba Nadda’s witty and timely love story breathes new life into a classic tale of family, tradition, cultural difference and love.